LaertesвЂ™ madness is defeated when he considers the apology from Hamlet, proving he isnвЂ™t actually insane but consists of the qualities, strength, and power to execute his plans.ДЄmongst all the characters within the play, Ophelia was the one person who was infected by true insanity, whereas HamletвЂ™s and LaertesвЂ™ madness is controllable and donвЂ™t possess true insanity.ДЄll the characters had one thing in common, their madness was driven and encouraged by a devastating loss in their lives. Laertes declares he would вЂњcut his throat iвЂ™ the churchвЂќ (IV.vii.126), which demonstrates LaertesвЂ™ eagerness and madness to kill.ДЄlong with the death of his father, the immediate death of his sister gives Laertes more reason to kill Hamlet. LaertesвЂ™ madness is driven by his rage to seek revenge upon the murderer, Hamlet. Near the end of the play, Laertes is frustrated and angry to hear about the death of his father. Overall, Ophelia develops her madness to express how she is unable to adjust with the immediate losses in her life. Her madness over the loss of love is evident when she sings about ValentineвЂ™s day, вЂњTo-morrow is Saint ValentineвЂ™s day/All in the morning betime/And I a maid at your window/To be your ValentineвЂќ (IV.v.46-49), which is a reference to the love Ophelia embraces for Hamlet. вЂњWell, Gold вЂild you! They say the owl was a bakerвЂ™s daughter Lord, we know that we are, but know not what we may be. OpheliaвЂ™s hatred is evident when she sings about the вЂњbakerвЂ™s daughterвЂќ which is an indirect reference to her relationship with her and Polonius. After the tragic death of her father, Polonius, who was killed by Hamlet, Ophelia is devastated. Ophelia develops a different variation of madness created by her love and hate towards everyone in her life, which she develops after the death of her father.

Hamlet creates a mysterious and nifty character throughout the play, and his role-playing and acts of madness develop his character in a sane manner. themes and motifs within Hamlet and provided examples of scene where you can study them. Hamlet also demonstrates madness when he questions his presence and purpose on earth and thinks about suicide. If his occulted guilt/Do not itself unkennel in one speech/It is a damned ghost that we have seen/And my imaginations are as foulвЂќ (III.ii.82-85). Through HamletвЂ™s actions, it is evident he is still sane because he arranges the play and asks Horatio to вЂњObserve mine uncle.

Hamlet is truly upset about the death of his father and is determined to kill Claudius, but his behavior towards his mother and Ophelia, the woman he loves proves his lack of sanity. Cowley speaks of its structure as that of вЂњbeads on a string.вЂќ John Arthos calls the book Faulkner's вЂњmost remarkable writingвЂќ but adds that it вЂњfalls into at least four separate storiesвЂ¦ there is no real unity.вЂќ O'Connor, Howe, Campbell and Foster have all dealt with and appreciated various aspects of the novel but it remains the chief enigma of the cycle.вЂњEars without feeling, feeling without sight/Ears without hands or eyes, smellings sans all/Or but a sickly part of one true sense/Could not so mopeвЂќ (III.iv.78-81) Revenge can be described as the theme that. However, the dominant theme that is in play is the quest for revenge. The play is made up of different intertwined themes that are essential to its development. Finally, with the major exception of Robert Penn Warren, almost none of the critics has been willing to recognize the book as a novel at all. The Theme of Revenge in William ShakespeareвЂ™s Hamlet Hamlet is one of William ShakespeareвЂ™s most famous literary works. These things together-the lessening of tension and the utilization of new material-are reflected in the unique tone of The Hamlet, which led Malcolm Cowley to entitle his review of the novel вЂњFaulkner By Daylight.вЂќ Further, since the novel is leisurely in its narrative method and relatively lucid in its style, it does not at first glance seem to demand or merit the sort of exhaustive readings which have been given, say, to The Sound and the Fury. It presents as protagonists a class of Yoknapatawphans who are relative newcomers to the cycle. It comes at a point in the development of the Yoknapatawpha Cycle when the early conflict between legend and reality which so disturbed Quentin Compson had been largely resolved, and it is concerned with themes that had earlier been of peripheral interest. Published in 1940, Faulkner's only significant novel between Absalom, Absalom! in 1936 and Go Down, Moses in 1942, The Hamlet differs considerably from the novels of the вЂњmajor phase,вЂќ 1929вЂ“1936. The reasons for this neglect are rather easily stated.

William Faulkner's novel The Hamlet has received less critical attention and, perhaps, less critical intelligence than any other of his major works.

Hamlet theme